JROPEAN AND AMERICAN’ 
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FREE EXHIBITION 


From November 14, Until Time of Sale 
Weekdays Prom omasm. COMO op.m: 
Sunday from 2 to 5 p.m. ’ ’ y 


UNRESTRICTED PUBLIC SALE 


Friday Evening, November 20, at 8:15 
O’clock y y y 7 7 


Exhibition and Sale at the 


AMERICAN ART GALLERIES 


MADISON AVENUE - 56rx ¢o 57TH STREET 
New York (ity 
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EUROPEAN & AMERICAN PAINTINGS 
Seer Y OF PHE XVIII AND XIX CENTURIES 


INCLUDING EXAMPLES BY GEORGE H. 
BOUGHTON, JOHN CONSTABLE, 
MAR GISSE VIRGILE DIAZ DE LA 
PENA, EUGENE VERBOECKHOVEN, 
JULES DUPRE, EMIL VAN MARCKE, 
ADOLF SCHREYER, JEAN BAPTISTE 
COROT, SIR JOSHUA REYNOLDS,P.R.A. 
THOMAS GAINSBOROUGH, R. A., SIR 
WILLIAM BEECHEY, R. A., SIR PETER 
LELY, ANTONIO ALLORI, WILLEM VAN 
DE VELDE AND PHILIPS WOUWERMAN 


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ejales (onducted By Mr. O. Bernet and Mr, H. H. Parke 
AMERICAN ART ASSOCIATION, INC. 


MANAGERS 


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The AMERICAN ART ASSOCIATION, Inc. — 


Designs its Catalogues 
and Directs -All Details of Illustration 
Text and Typography 





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CONDITIONS OF SALE 


I. REJECTION OF BIDS: Any bid which is not commensurate with 
the value of the article offered, or which is merely a nominal or fractional 
advance, may be rejected by the auctioneer if in his judgment such bid would 
be likely to affect the sale injuriously. 


Il. THE BUYER: The highest bidder shall be the buyer, and if any 
dispute arises between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 


Itt. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
buyer of each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part 
of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 


IV. RISK AFTER PURCHASE: ‘Title passes upon the fall of the 
auctioneer’s hammer, and thereafter the property is at the purchaser’s risk, 
and neither the consignor nor the Association is responsible for the loss of, 
or any damage to any article by theft, fire, breakage, however occasioned, or 
any other cause whatsoever. 


V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
made only upon payment of the total amount due for all purchases at the sale. 


VI. RECEIPTED BILLS: Goods will only be delivered on presentation 
of a receipted bill. A receipted bill presented by any person will be recog- 
nized and honored as an order by the buyer, directing the delivery to the 
bearer of the goods described thereon. If a receipted bill is lost before 
delivery of the property has been taken, the buyer should immediately notify 
the Association of such loss. 


VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
CALLING FOR GOODS: Articles not paid for in full and not called for by 
the purchaser or agent by noon of the day following that of the sale may 
be turned over by the Association to some carter to be carried to and stored 
in some warehouse until the time of the delivery therefrom to the pur- 
chaser, and the cost of such cartage and storage and any other charges will 
be charged against the purchaser and the risk of loss or damage occasioned 
by such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by 
noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation in these conditions of sale notwith- 
standing, in respect to any or all lots included in the purchase bill, at its or 
his option, either to cancel the sale thereof or to re-sell the same at public 
or private sale without further notice for the account of the buyer and to 
hold the buyer responsible for any deficiency and all losses and expenses sus- 
tained in so doing. 


VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
ness in which the Association is in no wise engaged, but the Association will, 


however, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged 
for such service. 


[X. GUARANTY: ‘The Association exercises great care to catalogue 
every lot correctly and endeavors therein and also at the actual time of sale 
to point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, genu- 
ineness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold ‘as is’ and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy expert 
to the effect that any lot has been incorrectly catalogued and in its judg- 
ment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might 
result were his opinion without foundation. 


X. RECORDS: ‘The records of the auctioneer and the Association are 
in all cases to be considered final and the highest bid shall in all cases be 
accepted by both buyer and seller as the value against which all claims for 
losses or damage shall lie. 


XI. BUYING ON ORDER: Buying or bidding by the Assocation for 
responsible parties on orders transmitted to it by Sti telegraph, or tele- 
phone, if conditions permit, will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing condi- 
tions of sale, except that, in the event of a purchase of a lot of one or more 
books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will 
be refunded, if the lot differs from its catalogue description. 

Orders for execution by the Association should be given with such clear- 
ness as to leave no room for misunderstanding. Not only should the lot num- 
ber be given, but also the title, and bids should be stated to be so much for 
the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sent or 
reference submitted. Shipping directions should also be given. 


PRICED CATALOGUES: Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at charges commensurate with 
the duties involved in copying the necessary information from the records of 
the Association. 

These conditions of sale cannot be altered except by the auctioneer or 
by an officer of the Association. 


AMERICAN ART ASSOCIATION, Inc. 


OTTO BERNET ManacErs 
HIRAM H. PARKE 
AUCTIONEERS 


A ee Rat Ese 1B fe: 


FOR UNITED STATES AND STATE TAX 
INSURANCE AND OTHER PURPOSES 
CATALOGUES OF PRIVATE COLLECTIONS 


oA pPRAISALS. The American Art Association, Inc., 
will furnish appraisements, made by experts under its direct 
supervision, of art and literary property, jewelry and all 
personal effects, in the settlement of estates, for inheritance 
tax, insurance and other purposes. 


CATALOGUES. The Association is prepared to supple- 
ment this appraisal work by making catalogues of private 
libraries, of the contents of homes or of entire estates, such 
catalogues to be modeled after the fine and intelligently 
produced Sales catalogues of the Association. 


Upon request the Association will furnish the names of 
many Trust and Insurance Companies, Executors, Admin- 
istrators, Trustees, Attorneys and private individuals for 
whom the Association has made appraisements which not 
only have been entirely satisfactory to them, but have been 
accepted by the United States Estate Tax Bureau, the 
State Tax Commission and others in interest. 


The AMERICAN ART ASSOCIATION + INC. 
MADISON AVENUE, 56ru to 57TH STREET 


New York (ity 














EVENING SESSION 
FRIDAY, NOVEMBER 20, AT 8:15 P.M. 


Catalogue Numbers 1 to 111 inclusive 


AmerIcAN Art Association, INc., MANAGERS 
SALE AT THE AMERICAN ART GALLERIES 


EUROPEAN AND AMERICAN PAINTINGS 

Sale, November 20, 1925 at 8:15 p.m. and holding 
CN Pee ALAS ecklace and 
To save time and to prevent mistakes each purchaser will oblige the 
management by filling in this slip and handing it to the record clerk or 61g eee 


sales attendant on making the first purchase. 


Purchaser’s Name oh e L . he 





Address in Full. 


Amount of Deposit 





yur hanging 
ll, rendered 


with meticulous accuracy. 


Panel: Height, 8 inches; width, 6% inches. 
Signed at lower right with monogram, J.W.P., and dated 1862. 


JOHANN FRIEDRICH ENGEL 
GERMAN: 1844— 


3—THE SAILOR’S DAUGHTER (“COME TO ME”) 


LEANING against the stern of a hulk, the standing figure of a barefoot child 
of four, in gray bodice and dark red skirt, pensively sucking a finger of 
her left hand. 

Height, 11 inches; width, 7¥% inches. 


Signed at lower right, J. F. ENGEL and dated MUNCHEN 18773 endorsed 
on back. 














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EVENING SESSION 
FRIDAY, NOVEMBER 20, AT 8:15 P.M. 


Catalogue Numbers 1 to II1 inclusive 


UNKNOWN 
XIX CENTURY 


I—CIRCASSIAN GIRL 


Bust portrait of a young girl, leaning forward and to the right, and holding 
a fur wrap up to her bare bosom; the sleek hair bound with a necklace and 
hidden beneath a pale green turban. 


Porcelain: Height, 758 inches; width, 6% inches. 


JOHANN WILHELM PREYER 
GERMAN: 1803—1889 


2—STILL LIFE 


ON a statuary marble slab, a group of five dark red cherries (four hanging 
from a broken twig), two walnuts and fragments of nut and shell, rendered 
with meticulous accuracy. 

Panel: Height, 8 inches; width, 6% inches. 


Signed at lower right with monogram, J.W.P., and dated 1862. 


JOHANN FRIEDRICH ENGEL 
GERMAN: 1844— 


3—THE SAILOR’S DAUGHTER (“COME TO ME”) 


LEANING against the stern of a hulk, the standing figure of a barefoot child 
of four, in gray bodice and dark red skirt, pensively sucking a finger of 
her left hand. 

Height, 11 inches; width, 7% inches. 


Signed at lower right, J. F. ENcret and dated MUNCHEN 1877; endorsed 
on back. 


A. CHARNAY 
FRENCH: XIX CENTURY 


4—GATHERING FLOWERS 


A WALLED garden, with buildings in the rear at the left; in the foreground 
a woman, clad in black, and a little girl in a blue velvet coat gathering 
asters from a flowering mass at the left. 


Height, 8'% inches; width, 5% inches. 


Signed at lower left, A. CHARNAY. 


FREDERICK HENRY KAEMMERER 
DutcH: 1839—1902 


5—REFLECTION 


BrEFroreE a sky-blue and gold brocade hanging, a young woman seated in an 
Empire mahogany armchair, facing the left and turned towards the observer. 
She is clad in a rose-pink gown and wears long green gloves. 


Height, 934 inches; width, 6% inches. 


Signed at lower right, F. H. KAEMMERER. 


PETER JOSEPH WILMS 
GERMAN: 1814—1892 


6-—STILL LIFE: FRUIT 


Group of black and green grapes, a peach, plums and a slender trumpet- 
shaped glass of sparkling wine, on a marble-topped table. 


Height, 15% inches; width, 13% inches. 


Signed at lower right, J. Wits, and dated 1866. 


ar 


THOMAS ADDISON RICHARDS 
ENGLISH: 1820—(*) 


7—COTTAGE ON THE LEAM, ENGLAND 


A NARROW stream bisects the foreground diagonally; on the left bank, cattle, 
on the farther right bank, a cottage among trees, a woman tending cows, 
and a prospect of hills. 

Height, 12 inches; length, 20 inches. 


Signed at lower left, 1. A. RicHarps, 


CHARLES LANDELLE 
FRENCH: XIX CENTURY 


8—PEASANT GIRL 


‘THREE-QUARTER length of a brunette in white bodice and scarlet and brown 
skirt with peacock-green apron; holding a spray of scarlet bowers and lean- 
ing against a pillar, behind which is a pot with a flowering shrub. 


Height, 1734 inches; width, 13% inches. 


Signed at lower right, CH, LANDELLE. 


RICHARD W. HUBBARD 
AMERICAN: 1816—1888 


9—THE LAKE 


STILL waters, the background of low green hills under a sky with dragged 
clouds; in the left foreground a sandy shore with rushes and the figure of 
a girl reading, in a scow beached on the margin of the lake. 


Height, 12% inches; length, 20 inches. 


Signed at lower right, R. W. Hupparn, and dated 1878. 


66 


LUIS FALERO 
SPANISH: 1851—1896 


10—MOORISH DANCER 


Fut length figure of a youthful woman with flowing dark hair, standing 
with bare feet on a rug and draped in a white robe bound about the hips 
with a golden yellow satin skirt leaving the legs bared in front; in her right 
hand trails a sky-blue scarf. Sunlit background seen through Moresque 


arches. 
Panel: Height, 10% inches; width, 7% inches. 


Signed with monogram at lower right. 


Purchased from Adolph Kohn. 


LUDWIG KNAUS 
GERMAN: 1829—I9QIO 


1I—PORTRAIT OF A YOUNG GIRL 


Bust portrait of a brown-eyed peasant girl, with long dark hair falling over 
shoulders and bosom, wrapped in a loose white chemise. 


Panel: Height, 9 inches; width, 7% inches. 


Signed at upper right, L. KNaus, and dated 1878. 


GUSTAVE JACQUET 
FRENCH: 1846—1909 


12—IDEAL HEAD 


Heap and shoulders of a blonde young woman with dark eyes and full red 
lips, clad in a golden yellow décolleté, with a black gauze fichu about the 
neck, 


Panel: Height, 8% inches; width, 6% inches. 


Signed at upper left, G. JACQUET. 


LEON CHARLES HERRMANN 
FRENCH: 1838—1907 


13—CURE READING LA FONTAINE 


Fut length figure of a curé in black soutane and broad-brimmed hat, his 
feet planted firmly apart and a stick tucked under his right arm, laughing 
heartily over a copy of the Contes; behind him the end of a gray stone wall, 
obstructing a view of tilled fields in the left middle distance, and topped by 
trees growing in the garden behind it. 


Panel: Height, 734 inches; width, 5% inches. 


Signed at lower right, LEoN HERRMANN. 


JOHANN GEORG MEYER VON BREMEN 
GERMAN: 1813—1886 
14—THINKING 


A YouNG girl, in white bodice and skirt of Venetian red, seated on a bench, 
with bent head resting on an open book before her, which lies on a table with 


impedimenta at the right. 
Panel: Height, 534 inches; width, 4% inches. 


Signed at lower right, MEYER VON BREMEN, and dated 1876. 


EDUARD CHARLEMONT 
AUSTRIAN: 1848— 


15—BOY IN WHITE SATIN WITH A DOG 


FraMep in the doorway of an interior the erect figure of a fair-haired boy 
clad in a Louis XIII costume of white satin with doublet, cape and knee- 
breeches; holding in his left hand a cane, his right resting on the head of a 
white borzoi. 

Panel: Height, 7 inches; width, 434 inches. 


Signed at lower right, E. CHARLEMONT, and dated 1881. 


Va 


MARTIN RICO 
SPANISH: 1850—1908 


16—RIVER SCENE 


FRINGED on three sides by the pink stucco houses of an Italian town, the 
river which flows into the foreground is littered with rowboats and their 
occupants; a wooden bridge stands athwart the scene. Draped at the left 
is a colored sail which catches light from a blue sky flecked with clouds. 


Panel: Height, 61% inches; length, 11% inches. 


Signed at lower left, Rico. 


JOHANN GEORG MEYER VON BREMEN 
GERMAN: 1813—1886 


17—LEARNING TO WALK 


Corner of a cottage interior, at the right a wicker cradle, at the left a table 
with flowers; a group of peasant boy and girl helping a barefooted youngster 
of two, clad in a white shirt, to walk uncertainly across the wooden floor. 


Height, 734 inches; width, 534 inches. 


Signed on table at left, MEYER VON BREMEN, and dated 1878. 


JOHN GEORGE BROWN, N.A. 
AMERICAN: I183I—I9QI3 


18—BORROWED ROBES 


SUNLIT interior with an open bedroom door at the left. In frent of a 
despoiled chest-of-drawers two children are trying on the voluminous robes 
and unsophisticated millinery of their elders; gloves and a hat-box are scat- 
tered over the red tile floor. 

Height, 12 inches; width, 10 inches. 


Signed at lower left, J. G. Brown, and dated, May 1861. 


BERNARD BARON 
Qo FRENCH: 1700—1762 


19—WINE AND MIRTH 


WoopepD country with the pediment of a stone monument jutting into the 
foreground and wreathed in ivy. On top of it a skillfully composed group 
of a cavalier in black and red holding a wine cup and a vine-wreathed staff, 
a demoiselle in blue reclining on a purple drapery and attendant nymphs and 
page in Louis Quinze classic style. 


Height, 14% inches; width, 1114 inches. 
Signed at lower left, B. Baron. 


From the Hardinge Collection. 


FLORENT WILLEMS 
| BELGIAN: 1823—1905 


| Lf. 20—-A4T THE WINDOW 


STONE interior, with a window embrasure at the left looking out over stepped 
Flemish roofs and the spire of a cathedral; over-the sill is thrown a gaily 
colored rug on which is leaning the figure of a young woman, clad in a 
lavender satin décolleté, looking out on the scene below. 


Panel: Height, 15% inches; width, 11% inches. 
Signed at lower right, F. WILLEMS. 


Purchased from Hermann Schaus. 


ANTOINE EMILE PLASSAN 
FRENCH: 1817—1903 


J 
5 » 2iI—HOME PLEASURES 


5) § -Ricu interior with a mosaic wall and at the right a tall wooden cabinet, a 

\K table with a peach velvet cover and needlepoint chairs in which are seated: 

facing the observer, a child building a house of cards, and in profile to the 

left, a young woman with scarlet bodice, white scarf and full black skirt read- 
ing, from a huge Bible, the Psalms. 

Height, 10% inches; width, 8% inches. 


Signed at lower right, PLASSAN, and dated 1866. 


GEORGE H. BOUGHTON, N.A., R.A. 
AMERICAN: 1833—I905 


39-_PE NANCE 


THE exterior of a Norman cathedral, the ground covered with snow; figures 
in the doorway and under the shelter of the drip-stone. In the foreground the 
bare-foot figure of Queen Mary, wife of the Conqueror, in black shift and 
with hair unbound, holding a taper in her left hand, proceeding to mass, fol- 
lowed by- a page bearing a missal on a cushion. 


Height, 1034 inches; width, 9 inches. 


Signed at lower right, G. H. Boucuton, and dated 1864. 


EMILE BERENGER 
FRENCH: I814—1883 
23—CONSOLING MOTHER 


INTERIOR, with the corner of a salon; on a Louis Seize sofa is seated a young 
woman in Empire costume robed in deep black, her baby daughter sitting next 


her on a table littered with deed-box and papers, and reaching up to wipe the 


tears from her mother’s face, the two figures seen in profile. 
Panel: Height, 1334 inches; width, 10 inches. 


Signed at upper right, EmtLe BéreNnceER, and dated 1877. 


GUSTAVE JACQUET 
FRENCH: 1846—1909 


24—PORTRAIT OF A YOUNG WOMAN 
IN PEASANT COSTUME 


Heap and shoulders facing left of a brunette with red earrings and black 
veil, clad in dark green dress bound about the neck with a. vivid scarlet 
shawl. 

Panel: Height, 13 inches; width, 9%4 inches. 


Signed at upper left, G. JACQUET. 


J. BEAUFAIN IRVING, N.A. 
AMERICAN: 1826—1877 


aa CONNOISSEURS 


AN Italian Renaissance dining room, painted with meticulous facility. A 
table covered with a blue velvet cloth and bearing fruit and wine, behind 
it a florid marble fireplace; in the right foreground a scarlet chair on which 
is seated one of the three connoisseurs, who, robed in bright colored sixteenth 
century costume, are admiring the Venus de’ Medici at the left. “The owner, 
clad in a furred brown velvet coat, has removed a yellow drapery from before 
the face of the statue. 

Panel: Height, 1134 inches; length, 14 inches. 


Signed at lower right, J. BEAUFAIN IrvinG, N.A., and dated 1877. 


GABRIEL CORNELIUS MAX 
P GERMAN: 1840—(?) 


26—HEAD OF 4A YOUNG GIRL 


Heap and shoulders in profile to the left, of a girl with long fair hair covered 
with a rose-pink muslin scarf trailing over her bare left shoulder. 


Height, 13% inches; width, 10 inches. 
Signed at upper left, G. Max. 


Purchased from Hermann Schaus. 


WILLIAM HART 
AMERICAN: 1823—1894 


27—AN OPENING IN THE WOODS 


THE edge of a forest with tall trees parted to form a pointed arch behind 
which is a vista of lake and the wooded further shore; foreground with russet 
bracken and great boulders, among which are the figures of deer. 


Height, 12% inches; width, 11 inches. 


Signed at lower left, Wm. Hart, and dated 1876. 


yo" 


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NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: 1807—1876 





28—FAGGOT GATHERER 


Dark forest, with the figure of a young girl with bare feet and white bodice 
and apron, lighted from high left; in her right hand a sickle, under her left 
arm a bundle of faggots. 

Panel: Height, 15 inches; width, 10 inches. 


Signed at lower right, N. Di1az, and dated 1863. 


EDOUARD ZAMACOIS 
FRENCH: 1842—1871 


29>—THE RIVALS 


In the garden before the casement of a stone mansion are seated a lady clad 
in sky-blue satin, with her attendant in a rose-pink robe, facing a gallant in 
lavender and scarlet who bends over to kiss the hand of the lady, while 
his bearded and. armored rival looks scornfully on from behind her chair 
at the right. 

Panel: Height, 16 inches; width, 12% inches. 


Signed at lower left, Ep. ZAMACOIS. 


JEAN RICHARD GOUBIE 
FRENCH: 1842—1899 


30—ASKING THE WAY 


SANDY country sprinkled with yellow gorse, a fringe of trees against the 
summer sky behind; coming diagonally into the right foreground two eques- 
trians in civilian costume of the ’seventies, asking the way from a peasant 
woman with a basket who, with her back to the observer, has her head con- 
cealed behind a large scarlet umbrella. 


Height, 15 inches; length, 19% inches. 
Signed at lower right, R. GouBiE, and dated 1876. | 


. 


FRIEDRICH KRAUS 
GERMAN: 1826—1894 


31—OLD WOMAN HOLDING. 4 TEACUP 


HALF-LENGTH seated figure of an old woman dressed in black with maroon 
sleeves, holding a white porcelain teacup and saucer, the contents of which 
she is stirring with a spoon. 


Height, 16% inches; width, 13 inches. 
Signed at upper right, F. Kraus, and dated illegibly. 


Purchased from Hermann Schaus. 


JEAN LEON GEROME 
FRENCH: 1824—1904 


32 _ WOMAN OF SYRIA 


AGAINST a neutral brown background the half-length seated figure of a dark- 
haired woman, her face covered with a white muslin veil and wearing over 
an emerald-green robe a cloak of brilliant blue; in her clasped hands a bunch 
of jasmine. 

Height, 16 inches; width, 1234 inches. 


Signed at lower right, J. L. GEROME. 


GIOVANNI FERRARI 
ITALIAN: 1818—(?) 


33—THE FIRST LESSON 


CoTTAGE interior sparsely furnished, with an Italian peasant mother and 
grandmother, dressed in dark blue and scarlet, the latter seated next her 
woolwinder and engaged in teaching her ragged grandson to read from a 
paper, on which the attention of all three is fixed. 


Height, 18 inches; width, 14 inches. 


Signed at lower right, G. FERRARI FECE, and dated 1868. 


qe 


LEONARD OCHTMAN, N.A. 
AMERICAN: 1854— 


34—-LANDSCAPE IN SPRING 


Pasture land in the foreground with low stone fences and a clump of trees 
at the right; in the middle distance huddled roofs of cottages losing them- 
selves in diagonal perspective to the blue hills of the left distance, under a 
cloudy sky. 

Height, 12 inches; length, 16 inches. 


Signed at lower left, LEONARD OCHTMAN. 


PIERRE EDOUARD FRERE 
FRENCH: 1819—1886 


35—_CHILDREN COOKING 


COTTAGE interior with a stone floor, the walls hung with pictures and kitchen 
utensils; centrally, an old stove, about which are grouped the earnest figures 
of a girl and boy stirring and pouring water into a saucepan, while the young- 
est member of the family looks on from a child’s armchair at the side. 


Panel: Height, 1534 inches; width, 1234 inches. 


Signed at lower left, EDOUARD FRERE, and dated 1880. 


ARTHUR FITZWILUCIAM VAI tenes 
AMERICAN: I819—I905 


36—DEER AT GAZE 


LANDSCAPE with a lake, the near shore covered with long grass and furze, 
the distant showing low hills, and at the left, the edge of a forest. In the 
foreground, seen in profile to the left, a brown and white stag of six tines; 
in the left middle distance two does. 


Panel: Height, 1534 inches; length, 20 inches. 


Signed at lower left, A. F. Tarr, and dated N. Y. 1876. 





JEAN JACQUES HENNER 
FRENCH: 1829—1905 


37—FABIOLA 


Heap and shoulders in full profile to the left of a beautiful young girl with 
dark eyes, straight nose and tiny lips, the fair head and graceful neck shrouded 
in a scarlet cloak; dark background. 


Height, 16% inches; width, 1234 inches. 

Signed at upper left, J. HENNER. 
Fabiola, the heroine of Cardinal Wiseman’s story, was a daughter of Fabius, 
a Roman of the fourth century, A.D., whose conversion to Christianity was brought 


about by Christian slaves in her household, of whom the principal was the girl 
Miriam; in later years she devoted herself to a holy life lived in retirement. 


Purchased from Goupil Galleries. 
From the Mary J. Morgan Collection, American Art Association, 1886. 


fe" 


‘ 


GILBERT MUNGER 
AMERICAN: 1837—I1903 


38—A BEND IN THE STREAM, NEAR LOUVIERS 


Open flat country, a stream flowing into the foreground and bordered on the 
right-hand shore by a line of elms; on the further bank at the left wading 
cattle, and open sunlit arable land with a solitary oak. 


Panel: Height, 18 inches; width, 14% inches. 


Signed at lower left, GILBERT MUNGER. 


Q. BECKER 
GERMAN: 1830—(?) 


39—A MINERALOGIST 


Heap and shoulders of a bearded man with long gray hair and deep-set eyes, 
clad in black, and holding up in his left hand a fragment of mineral, observed 
through a magnifying: glass. 

Panel: Height, 20% inches; width, 14% inches. 


Signed at upper left, Q. BECKER, and dated BERLIN 1878. 


THEODORE ROUSSEAU 
FRENCH: 1812—1867 


40—SUNSET 


Forest landscape with tall trees at either side flanking a stream choked with 
rushes and winding through flat country to further woods; in the foreground, 
figures of two sportsmen and a dog. ‘The whole lighted from the distant 
west by the ruddy yellow light from the sun sinking in a cloudy sky. 


Height, 10% inches; length, 16 inches. 


Signed at lower left, TH. ROUSSEAU. 





JULES DUPRE 
FRENCH: 1811—1889 


41—COTTAGE IN THE WOODS 


A MILL-STREAM in the right foreground with buildings abutting on it at the 
right, the left bank of brown grassland with russet trees forming a pattern 
on the blue sky behind, with its heavy white cumulus clouds. 


Height, 23 inches; width, 16% inches. 


Signed at lower left, JULES Dupre. 





EUGENE VERBOECKHOVEN 
BELGIAN: 1799—1881 é 


42—SHEEP AND LAMBS 


UNEVEN seashore, with a group of boulders at the left, sprinkled with heather, 
stones and, in the right foreground, a small pool; in the right middle distance 
the ocean with vessels under a sky of cumulus clouds. ‘The central fore- 
ground occupied by standing and sitting horned sheep and two lambs, with the 
glow of sunlight on their thick tawny ivory fleece. 


Panel: Height, 1334 inches; length, 19% inches. 
Signed on rock at lower right, EUGENE VERBOECKHOVEN F. 1871. 


Authentication by label on the back of the panel reading as follows: “Je, 
soussigné, déclare que le tableau ci-contre est original.” (Signed) EUGENE VER- 
BOECKHOVEN, Londres, 1871. 


Purchased from Hermann Schaus. 





NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: 1807—1876 


43—PLAINS OF BARBIZON 


CLOUD-WRACKED sky at sunset, the clouds torn apart in the centre over a 
patch of blue half obscured by the summits of two trees in the left middle- 
ground forming part of a scattered group dispersed over the plain. In the 
foreground a pool reflecting the high lights of the sky, beside it a peasant 
woman with a bundle of faggots. 


Panel: Height, 1134 inches; length, 16% inches. 


Signed at lower left, N. Diaz. 


AUGUSTE TOULMOUCHE 
FRENCH: 1829—1890 


44—W AITING 


INTERIOR, with a background of sapphire-blue velvet curtain and tapestry, 
before which is a table covered with a blue brocaded cloth and supporting a 
gilded gadrooned bowl full of asters; seated at the table in a crimson Renais- 
sance chair and facing the observer is a young woman with long flowing hair, 
clad in a voluminous lavender and white décolleté gown. 


Height, 2234 inches; width, 17 inches. 


Signed at lower right, A. ToULMOUCHE, and dated 1879. 


BLAISE DESGOFFE 
FRENCH: 1830—I9QOI 


45—STILL LIFE: ART OBJECTS FROM THE LOUVRE, PARIS 


IRREGULARLY heaped group of the objects named below, piled on a table 
with a rouge royale marble top, behind which is a gilded chair; the light 
falling from upper left on the gilded metal of the coupe and chalice and on 
the brilliant white, flecked with cerise, of the camellia blossom. 


Height, 19% inches; width, 1334 inches. 
Signed on gilded stand, BuatsE DESGOFFE 1877. 


Note: On the back of the canvas is a signed memorandum in M. Desgoffe’s 
handwriting, listing the objects painted as follows (translation): Sixteenth century 
coupe of Oriental agate, reign of Charles IX; gilded coupe, called the Cup of Ben- 
venuto; gilded stand; incense vessel in green jasper of the sixteenth century, reign 
of Charles IX; a knife called “the knife of Eustache,” sixteenth century; translucent 
enamel medallion, fourteenth century; a camellia blossom; and a Venice glass in 
the background. All these objects have been taken from the Louvre, Paris, Decem- 
ber 15, 1877. Bl. Desgofte. 


Purchased from Hermann Schaus. 


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ANTONIO CASANOVA 
SPANISH: XIX CENTURY 


46—TWO JOLLY FRIARS 


SIXTEENTH century interior, with a bookcase at the left and a table with a 
globe and hanging map at the right. Central group of a Franciscan prior in 
brown habit and cowl seated in a scarlet Renaissance chair and, his spec- 
tacles pushed back, laughing heartily over a book, and his companion looking 
over his right shoulder with whimsically pursed lips. 


Height, 16% inches; length, 19% inches. 


Signed at lower left, A. CASANOVA, and dated Paris, 1880. 


ier EYROU BONHEUR 
FRENCH: 1830—189I1 


47—MASTIFF AND HER LITTER 


A CELLAR, the floor of which is strewn with straw, at the left an old barrel, 
at the right an opening with steps; the central figure is of a black and white 
mastiff, surrounded by a litter of seven pups, turning to look at a cat stand- 
ing stolidly at the right on the upper step. 


Height, 1734 inches; length, 22 inches. 


Signed at lower left, J. PEyRoL BONHEUR. 


JOHANN GEORG MEYER VON BREMEN 
GERMAN: 1813—1886 


48—CONV ALESCENT 


A NINETEENTH century bedroom with a glowing fire at the left, lighted 
by sunlight which falls on the four-post bed hung with green damask at 
the right, a screen, tea-table and an armchair in which is propped the figure 
of a young woman in dressing-gown and white lace cap, with a blanket 
over her knees, stirring tea; at her right kneels a fair-haired peasant girl 
holding the lately born baby. 

Height, 2434 inches; width, 20% inches. 


Signed at lower right, MEYER VON BREMEN, and dated BERLIN 1866. 


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WILLIAM TROST RICHARDS 
AMERICAN: 1833—1I905 


49>—WOODED LANDSCAPE WITH STREAM 


THE afternoon sun, piercing through thick clouds hung with a light mist, 
penetrates to the thickly massed foliage of the trees on either bank of a 
still stream, flowing between fern- and boulder-strewn banks from the middle 
distance into the right foreground. 


Height, 24 inches; width, 20 inches. 
Signed at lower right, Wm. T. RicHarps, and dated 1869. 


Purchased from Hermann Schaus. 


LOUIS VICTOR WATELIN 
FRENCH: 1838—1908 
50—CATTLE 


Fiat landscape flanked by clumps of birches in the left middle distance and 
gnarled willows in the right foreground, the evening sky piled with sunlit 
clouds; a reed-fringed pool and about it the figures of four cows, brown, 
white and black, the fourth sitting with its back to the observer. 


Height, 21 inches; length, 2834 inches. 


Signed at lower right, L. WaATELIN. 





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ROSA BONHEUR 
FRENCH: 1822—1899 


5I—PONIES AND SHEEP 


MoorLanb strewn with heather, a calm sea stretching across the background ; 
a shaggy chestnut pony seen in profile to the right and a gray with his quarters 
to the observer, surrounded by sitting sheep. 


Height, 17 inches; length, 24 inches. 


Signed at lower left, RosA BONHEUR, and dated 1861. 


Purchased from Hermann Schaus. 


THEODORE GERARD 
BELGIAN: 1829—(?) 


52—RETURNING FROM THE FIELDS 


OpeEN rolling country with shrubs and trees at the right; on a path leading 
diagonally into the right foreground comes a boy wheeling a barrow piled 
with clover, on which is riding a peasant girl and her infant brother, the 
last waving his arms vigorously at the sight of a spray of flowers held out 
to him by the elder sister walking on the far side of the procession with 
a basket on her left arm. ‘The barrow is drawn in lax fashion by a dog, a 
brown and white spaniel leaping beside its only wheel. 


Panel: Height, 24% inches; length, 2934 inches. 
Signed at lower left, IT Hre. Geérarp, and dated 1869. 


“Note: Authenticated by a signed label on the back of the panel reading: 


“Le Soussigné déclare que tableau ci-contre est original. 


THre. Gérard, 1869. 
Schaerbeek, Bruxelles.” 


AUGUSTE TOULMOUCHE 
FRENCH: 1829—1890 


53—WATERING FLOWERS 


INTERIOR with a window at the left draped by a blue curtain, the wall cov- 
ered with a tapestry above a painted folding screen paneled with blue bro- 
cade. On the parquet floor is standing a young woman in a rose pink and 
white décolleté with a crimson jacket, watering with a decanter the flowers 
in a gilded jardiniére. 

Height, 2534 inches; width, 21% inches. 


Signed at lower right, A. TOULMOUCHE, and dated 1877. 





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0? JEAN GEORGES VIBERT 
FRENCH: 1840—I1902 


54—CARDINAL BURNING DOCUMENTS 


A CABINET in a palace of the First Empire hung with drapery, the purple- 
gray walls painted with gilded insignia; an open secretary at the right on 
which is burning an oil lamp, an armchair, waste-paper basket and file 
drawers. [he central figure is that of the erect scarlet-robed cardinal seen 
in profile to the right, tearing papers and thrusting them into the flames of 
a brazier burning on a bronze guéridon, the tiled floor strewn with the 
ashes of the destroyed documents. 

Height, 2134 inches; width, 18 inches. 


Signed at lower left, J. G. VIBERT. 


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HERMANN PLATHNER 
GERMAN: 183I—I1902 


55—THE NEWSPAPER 


A Rustic German living-room with green tiled stove at the left, and at the 
right a window behind the dresser. At a table are: a tuwnsman dressed 
in black and holding a newspaper, to which he is pointing; an old man in 
knee-breeches, long fawn coat and fur cap beside him and behind them a 
peasant in long brown coat, knee-breeches and three-cornered hat looking 
over the left shoulder of the first man, while the peasant girl, who has served 
them with drinks, is walking away at the right. 


Height, 24% inches; length, 30% inches. 


Signed at lower right, H. PLATHNER. 


CHARLES FAIRFAX MURRAY 
ENGLISH: 1849—I919 


56-—PORTRAIT: MOTHER AND CHILD 


Stupy in half-length of the young mother, with auburn hair banded with 
a blue fillet, her right arm around the shoulders of a girl of perhaps four 
years in a white dress, the right hand of the child clasping the left of the 
mother; neutral brownish background. 


Height, 24 inches; width, 1934 inches. 
Signed with initials at upper left, C. F. M. 


VICENTE PALMAROLI 
SPANISH :. 1835—1896 


57—GIRL FISHING 


THE edge of an ornamental lake with a stone balustrade and an urn at the 
right, silhouetted in the light blue summer sky; seated on a cushion the 
figure of a young girl, in the feathered hat and voluminous pink and ecru 
dress of the eighties, fishing with rod and line among the flowers growing 
at the right of the pool. 

Height, 2934 inches; width, 19% inches. 


Signed at lower left, B. PALMAROLI. 


Purchased from Hermann Schaus. 





© WILLIAM ADOLPHE BOUGUEREAU 
ye FRENCH: 1825—1925 
58—BOY WITH FLAGEOLET 


Heap and shoulders facing the observer, of a boy with curling brown hair 
and earrings, clad in an open white shirt covered with scarlet vest and dark 
brown coat; the two arms leaning on a ledge, the right hand grasping a 
flageolet, the left a crust of bread. “The gaze is directed upwards to the 
right; the features feminine, with blue eyes, fair rounded cheeks and parted 
lips. 

Height, 21% inches; width, 18 inches. 


Signed at upper left, W. BoUGUEREAU, and dated 1874. 





JULES DUPRE 
FRENCH: 1811—1889 


59>—DRIVING COWS TO WATER 


BLUE evening sky with thick white clouds looking down on an orchard, 
with a road running diagonally away from the right foreground, and in the 
midlle distance a farmhouse. “The emerald grass terminates at the lower 
margin in a reedy pond into which a peasant lad has driven three cows. 


Panel: Height, 16% inches; length, 25 inches. 
Signed at lower left, J. DUPRE. 


Purchased from Hermann Schaus. 


EMIL VAN MARCKE 
FRENCH: 1827—1890 


60—HEIFER 


OPEN pasture land with trees at the right and a wooden stake at the left 
in the foreground beside the massive profile of a brown and white cow, 
the light falling from upper right upon the white passages of the head, horns, 
belly and tail. 


Height, 22 inches; length, 3234 inches. 
Signed at lower left, Em. vaN Marcke. 


Purchased from Hermann Schaus. 


OTTO WEBER 
GERMAN: 1817—1888 


61—THE ROMAGNA: DRIVING CATTLE 


Rocky grassland under the shade of squat spreading trees, with frailer birches 
silhouetted against the blue sky and on the hill at the left. In the fore- 
ground long-horned white and dun cattle driven round the nearest tree to 
the left by a peasant mounted on a horse and coming up towards the 
observer. 

Height, 19 inches; length, 34% inches. 


Signed at lower right, Orro WexBeErR, Roma. 


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EBERHARD STAMMEL 
GERMAN: 1832— 


62—AFTER THE HUNT 


INTERIOR of a Bavarian hunting cottage with huge Renaissance fireplace, and 
a window at the left through which is visible snow-covered foliage. The 
bearded master of the house, in dark green coat and brown breeches, is seated 
in an armchair, his dogs beside him and his pipe in his mouth, while his ser- 
vant in green jerkin and brown breeches and with a game-bag slung over his 
back is pulling off the second of his master’s snow-covered boots. 


Height, 30 inches; length, 37 inches. 


NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: 1807—1876 


* 63—DROW SING NYMPHS 


RoMANTICc landscape at evening with woods, and toward the middleground 
a broad stream, the further bank rising to low hills. Under the branches 
in the foreground a nymph at the left, with bare bosom and white and 
scarlet draperies, her lyre fallen to the ground, and opposite her three other 
partly draped maidens and nude winged cherubs, one of them playing with 
a brown spaniel; in the centre a fallen basket of flowers. In the soft light 
the group is drowsing as the last rays of the sun play on*the rounded con- 
tours of their bodies. 


Height, 23% inches; length, 28% inches. 
Signed at lower left, N. Dtaz, and dated 1857. 


(Illustrated ) 


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SHdWAN' ONISMOYUGQ—£9 ‘ON 





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EUGENE FROMENTIN 
FRENCH: 1820—1876 


64—A RAB HORSE TRADERS 


SANDY ground outside an Arab town, the walls and minaret rising at the 
right among trees. In the centre of the foreground two Arabs, the first 
mounted on a roan, the second leading a gray mare, approaching two men 
clad in blue burnouses who are squatting on the ground in the shade at the 
foot of the wall. 

Height, 26 inches; length, 31% inches. 


Signed at lower right, Euc. FROMENTIN, and dated 1872. 


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HENRIETTA KNIP RONNER 
Dutcu: 1821—(?) 


65—CAT AND KITTENS 


A TABLE covered with a peach-colored velvet cloth and a piece of sea-green 
brocade, with a gilded screen behind it. On the table a hive-shaped bird- 
cage, beside which is sitting a gray and white Persian cat, while around it 
are playing her four kittens. 

Height, 32 inches; width, 2534 inches. 


Signed at lower left, HENRIETTA RONNER. 


JULIAN RIX 
AMERICAN: 185I—I903 


66—SANDERSON’S CREEK 


A DRAMATIC picture, of heavy dark masses of trees lining either bank of a 
stream flowing away through the centre of the scene, the nearest springing 
from the left bank and arched over a vivid turquoise-green sky hung with 
woolly balls of cloud darkly reflected in the water. 


Height, 32 inches; width, 2534 inches. 


Signed at lower right, JULIAN Rix. 


JEAN ERNEST AUBERT 
FRENCH: 1824—1900 


67—LOVE QUENCHING AIS THIRST 


FLAT green country with pools of water and rocks at the left reaching to the 
foreground, where stands a bare-footed Venus partly draped in a purple- 
gray robe, her cupped hands full of water, which a nude fair-haired Cupid 
on tiptoe is eagerly drinking. 

Height, 39% inches; width, 27 inches. 


Signed at lower left, JEAN AUBERT, and dated 1875. 
From the Mary J. Morgan Collection, American Art Association, 1886. 


JOHN FREDERICK HERRING, 8r. 
BRITISH: 1795—1865 


68—HORSES AND PIGS: FARMYARD SCENE 


THATCHED farm-buildings inside an enclosure, the grounds and roofs cov- 
ered with snow; behind them thick bare branches of elms. Groups of brown, 
chestnut and gray horses, hens and ducks, pigs and an occasional pigeon, in- 
cluding in the foreground two ponies feeding from a manger at the left, 


Height, 24 inches; length, 30 inches. 
Signed at lower left, J. F. HeRRiInc, SENR., and dated 1858. 


(Illustrated ) 


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GNAOG GUVAWUVY :SOlQ GNV SASYOF]TH—g ‘ON 








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BAREND CORNELIS KOEKKOEK 
DutTcH: 1803——1862 


69>—SUMMER ON THE RIVER 


Woobep grassland rising to hills at the right, on the further side of a brook 
flowing under a bridge in the middle distance and into the right foreground. 
On the nearer bank, on the towing path, figures of men with a horse and 
wagon, unloading impedimenta from a small boat. Cloudy evening sky lighted 
richly over the hills at the right. 

Height, 19 inches; length, 24 inches. 


Signed at bottom, B. C. KoEKKOEK, and dated 1827. 


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JOEESSGOUPRLE 
FRENCH: 1839—1883 


70 THE TOILETTE 


NINETEENTH century interior with a tapestry on the wall at the back; at 
the right a table covered with a crimson rug, and a blue screen. The one 
lady, clad in a voluminous gray silk dress, is seated at the table facing the 
right, holding a mirror in her hand, while the second, a brunette in golden- 
yellow with a bustle of the period, is curling the hair of the sitter. 


Height, 31% inches; width, 26% inches. 


Signed at lower left, JuLES GouPlit. 


E. WOOD PERRY 
AMERICAN: I183I—IQI5 


7I—W ATCHING THE WHEEL 


CoTTaGE interior with plaster-covered brick walls; an open fireplace at the 
right, a dresser in the corner and a window at the extreme left with plants. 
The light falls on a fair-haired girl of four dressed in a quaint red dress and 
white apron, looking on at her grandmother, who, wearing a maroon gown 
and seated in full profile to the left, is busily spinning wool. 


Height, 22 inches; length, 29 inches. 
Signed at lower left, E. W. Perry, and dated 1868. 


JAMES HENRY BEARD, N.A. 
AMERICAN: I1814—1893 


72—“THO’ LOST TO SIGHT, TO MEMORY DEAR” 


Crimson damask curtain draped at the right behind the painting of a boy 
in a canted gilded frame hung with crepe. On the rug before it his books, 
spinning-top and four assorted toy dogs in attitudes of reproachful grief. 


Height, 30 inches; width, 25 inches. 
Signed at lower left, Jas. H. Bearp, and dated 1875. 


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ALFRED WAHLBERG 
SWEDISH: 1834—1906 


73—NIGHT ON THE RIVER 


A SPRING evening on the broad stream flowing from the left foreground into 
the right middle distance past low banks of trees bearing early foliage; in 
the foreground at the right a boat, from which the occupant has just landed. 
Over a twisted trunk on the further bank is rising among clouds a full moon 
casting an uncertain yellowish light on the sky and the calm water. 


Height, 2334 inches; length, 36% inches. 


Signed at lower left, ALF. WAHLBERG. 


ADOLPHE ETIENNE PIOT 
FRENCH: XIX CENTURY 


14—PHE LOVE TEEPE 


HALF-LENGTH seated figure, facing the observer, of a young Italian girl 
with blonde hair, clad in a peasant costume with voluminous white skirt 
and a string of red beads about her neck; holding between her hands a 
sheet of paper and looking reflectively out into space. 


Height, 32 inches; width, 2534 inches. 
Signed at left, ADOLPHE Pitot, and dated 1875. 


HERBERT SALENTIN 
GERMAN: 1822—(?) 


75—EVENING DEVOTION 


PANELED interior of a room, the light coming from an unseen window at 
the left and falling over the right shoulder of a peasant girl with braided 
hair, gray bodice and blue skirt, seated and reading from a bible to an old 
woman in black propped up in a chair with a pillow and facing the ob- 
server, her head inclined towards the reader. 


Height, 3134 inches; width, 26% inches. 


Signed at lower right, H. SALENTIN, and dated DtssELporF 1869. 


JOHN BUNYAN BRISTOL, N.A. 
AMERICAN: 1825—1909 


76—SUNSET 


A cuRVE in the road running into the left foreground between trees and 
bracken, with tall maples massed at the right; the brilliant glare from the 
setting sun shrouds the whole of the middleground in a warm ruddy mist 
and lights the backs of a flock of sheep driven round the bend by their 
shepherd, the boulders, bracken and the partly stripped trunks of the trees. 


Height, 33 inches; width, 26 inches. 


Signed at lower right, Bristo., and dated 1860. 


ALEXANDRE CABANEL 
FRENCH: 1823—1889 


77—MARY AT THE TOMB 


HALF-LENGTH in profile to the right, the face turned towards the observer 
and gazing upwards; the long fair hair flowing under the green cloak over 
the Tomb. The woman is robed in a white garment thrust back from the 
arms; the hands clasped loosely together in entreaty and modeled against 
the dark green folds of the cloak. 

Height, 35% inches; width, 29% inches. 


Signed at upper left, ALEX. CABANEL, and dated 1875. 


HENRY A. LOOP 
AMERICAN: 1831I—1895 


78—A PHRODITE 


A FLAT seashore with blue rollers breaking lazily athwart the picture; on 
the edge of the water the erect nude figure of the Venus Anadyomene, her 
brown hair flowing in the wind, her arms upraised and a filmy golden drapery 
billowing about her bare body. 

Height, 40 inches; width, 28 inches. 


Signed at lower right, H. A. Loop, and dated 1876. 


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LUIGI CHIALIVA 
ITALIAN: 1842—I914 


790 —WATERING SHEEP 


‘THATCHED farm-buildings at the right and beech trees beside them; between 
the two, a path leading down to. the stream which washes the foreground. 
Under the trees are seated peasants; a child under the protection of its 
mother is driving sheep and lambs down to the water, while the shepherd 
with his dog stands in the middle of the flock watching the efforts of his 
tiny colleague. 


Height, 40% inches; width, 31% inches. 


Signed at lower left, L. CHIALIVA. 


EMIL VAN MARCKE 
FRENCH: 1827—1890 


80—GOING TO PASTURE 


RouGH grassland, with massed trees at the right, covering part of the ex- 
panse of dull cloudy sky. A brook is visible in the middle distance across 
which cattle—brown, dun and black and white—are coming towards the 
observer, the three leaders in the foreground being driven on by the barking 
of a small dog leaping amongst the grasses. 


Height, 27 inches; length, 39% inches. 


Signed at lower right, EM. VAN MarckeE. 
From the Collection of M. Laurent Richard. 
Mary J. Morgan Collection, American Art Association, 1886. 


(Illustrated ) 


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ADOLPHE ETIENNE PIOT 
FRENCH: XIX CENTURY 


81—ROMAN GIRL 


FuLt length figure facing the observer, of a peasant child with white bodice, 
brown skirt and blue apron, with earrings in her ears and a cap on her 
head, standing before a parapet grasped with her right hand and holding 
in her left a basket of roses and violets. 


Height, 49% inches; width, 29% inches. 


Signed at lower right, Ap. Prot. 


JULES DUPRE 
FRENCH: 1811—1889 


82—THE STORM: D’ARBONNE 


Lurip dark blue sky piled high with clouds, looking down on a flat land- 
scape; the foreground of river, with a man in a small boat under a tower- 
ing bulk of trees at the right centre set in black, browns and deep greens 
against the ominous sky behind. 

Height, 3334 inches; length, 44% inches. 


Signed at lower left, JuLES Dupre. 
(Illustrated ) 


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ANNOUUY a - NYOLS 4H [—cg “ON 





CARL LUDWIG FRIEDRICH BECKER 
GERMAN: 1820—1900 


83—PETITIONING THE DOGE 


INTERIOR of the Venetian palace with its paintings and marble columns; at 
the head of the stairs, looking down through an archway at the left. he 
doge in ermine and golden-yellow silk robes has emerged from the door- 
way at the right with his counsellors and attendants, and with his back to 
the observer is posed looking to the left to where the small son of a kneel- 
ing peasant woman presents a petition. “The light falls from above the 
left on the marble and the rich vestments of the party. 


Height, 33% inches; length, 45% inches. 


Signed at lower left, C. BECKER. 


ADOLF SCHREYER 
GERMAN: 1828—1899 


84—HORSES AT FOUNTAIN 


BLueE sky at the left above the stone walls of the town seen behind the 
trees in the centre, which shade a stone fountain; about it are grouped 
three Arabs in native costume remounting their horses after watering, the 
light from the upper left playing on the gray bodies of the two animals 
in the foreground and the bright colors of the men’s garments. 


Height, 3314 inches; length, 4734 inches. 
Signed at lower right, AD. SCHREYER. 


(Illustrated ) 


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JEAN BAPTISTE CAMILLE COROT 7 
FRENCH: 1796—1875 


85—MORNING 


A RIVER seen through a frame of slender trees in the foreground arching 
over from left and right; in the centre are two on the brink of the water, 
sheltering peasant women seated beneath them, while a little further off 
a woman is washing linen. On the further bank trees at left and right, 
with a prospect of open country rising slightly to the background, the whole 
under a brilliant nebulous mist of early morning, seen in bright contrast 
to the intense darkness of the edges of the foreground. 


Panel: Height, 26 inches; length, 38% inches. 
Signed at lower left, Corot, and dated 185A. 


(Illustrated ) 


(70407) appr aysydvg uvar 47) 
ONINYWOTY—S8 “ON 





ADOLF SCHREYER 
GERMAN: 1828—1899 


86—HALT IN THE DESERT 


BARREN country with a stone fountain in the right foreground, at the side 
of which are reclining two Arabs; their gray and chestnut horses, from 
which they have dismounted, tethered to stakes, and with their backs to 
the observer, drinking from the trough. A pool of water fringed by stones 
and broken masonry is at the lower edge of the canvas. 


Height, 4434 inches; length, 68 inches. 
Signed at lower right, Ap. SCHREYER, and dated 1866. 


(Illustrated ) 


(Jabasy2y Hopy ha) 
LUISA] AHL NI LIVE{T—98 “ON 





LEON BAZILE PERRAULT 
FRENCH: 1832— 


87—L’AMOUR VAINQUEUR 


WoobDLAND in summer, the light falling from the upper left on a patch 
of grass before the dark curtain of trees; over it is crawling the nude figure 
of a young girl with long brown hair ridden by a naked winged cupid, who 
grasps her tresses like reins, driving her on with a spray of dog rose, blos- 
soms of which are wreathed about his head. 


Height, 541% inches; width, 41% inches. 
Signed at lower right, L. PERRAULT, and dated at left 1880. 


JAN VON CHELMINSKI 
Po.isH: 1851— 


88—ROTTEN ROW, HYDE PARK 


“ROTTEN Row” in the 90’s, looking down the equestrian avenue, with the 
carriage road at the left; groups of horsemen and horsewomen in formal 
dress riding up and down, at the left broughams, traps and victorias with 
servants in livery, guardsmen and a policeman, at the right the path out- 
side the “Row.” ‘The thick masses of the trees converge sharply together 
in the colors of late summer under a dull cloudy sky. 


Height, 39% inches; length, 59 inches. 
Signed at lower right, JAN v. CHELMINSKI. 


HUGUES MERLE 
FRENCH: 1823—1881 


* 897—FERDINAND AND MIRANDA 


(The Tempest, Act. III. Scene 1) 


OurTsipE the circle formed by the entrance to a cave is seen the lashing 


- sea, over which is hovering the figure of Ariel, Caliban struggling under 


his load along the shore, and in the opening at the left the dark bearded 
figure of Prospero. “The light falls from above on the erect Miranda, in 
a golden-yellow satin robe, at whose feet is kneeling Ferdinand, clad in 
crimson and black, and taking her slender hands between his fingers. 
Height, 61% inches; width, 45 inches. 


Signed at lower right, Hucurs MERLE, and dated 1877. 


be" 


(o 


JOSEPH MALLORD WILLIAM TURNER (Attributed to) 
BRITISH: 1775—I185I1 


90—SEA PORT 


Look1nc down a narrow stream into the face of a brilliant rising sun, the 
wiew is hedged about with fishing vessels moored in long lines in front of 
a perspective of white stone classical buildings, with here and there a tree, 
topped by the campanili of churches, all blazing with a misty light. 


Height, 38 inches; length, 59 inches. 


GIOVANNI MIGLIARA 
ITALIAN: 1785—1837 


O° 
f 91—VENICE, FHE MOLO 


THE dark green waters of the canal running diagonally away from the 
left foreground, with perspectives of buildings at the left, and the quay 
at the right with its column. ‘The waters are crowded with gondolas and 
shipping, and in the square are strolling in the sunshine groups of citizens. 


Height, 634 inches; length, 9% inches. 
Signed at lower left, MIGLIARA. 


WILLEM VAN DE VELDE 
DutTcH: 1633—1707 


92—CATTLE 


Open rolling country beneath a summer sky; in the foreground at the 
right a solitary pollarded tree about which are grouped figures of white 
and dun cattle in repose. 


Height, 1134 inches; width, 10 inches. 
Signed below, A. V. VELDE. 
From the Collection of Cardinal Fesch. 


ole 


PHILIPS WOUWERMAN 
DutcuH: 1619—1668 


93—HORSES 


A MELLOw landscape with a single house at the left and an oak tree in the 
left foreground, under which are seated figures; the centre of the canvas 
occupied by the figure of a cavalier mounted on a brown horse accompanied 
by three remounts—gray and brown. Prospect of open country at the 
right. 


Height, 16 inches; width, 1334 inches 


Signed below with initials, P. W. 


JOHN CONSTABLE 
BRITISH: 1776—1837 


o4—_ THE TAVY AT TAs isvock 


A swIirT stream spans the scene, fringed behind by a curtain of trees en- 
veloping a cottage at the right; in the foreground among the rocks and 
runnels of water a group of children are playing. The whole is lighted 
from an uncertain sky, which picks out the gable of the cottage and the 
sparkle of water in the weir at the left. 


Height, 23% inches; length, 35 inches. 


Signed at lower right, J. CONSTABLE, and dated 1811. 





AERT VAN DER NEER 
2 DutTcH: 1603—1677 


95—RIVER SCENE 


A CLEAR evening sky looks down on a mellow landscape, where a river 
bends at the entrance to a Dutch town, with houses, pointed turrets and 
windmills; in the foreground at the right, barges, and on the shore the 
figures of laborers with a wagon; on the near shore a fisherman beneath a 
pair of elm trees and a cavalier in black walking with his dog. 


Height, 21% inches; length, 29% inches. 
Signed at the left with the double monogram AV.DN. 


From Seidelmeier Galleries, Paris. 


we 





SIR WILLIAM HAMILTON, R.A. 
BRITISH: 175I—I180I 


96—PORTRAIT OF A LADY AS A SHEPHERDESS 


BENEATH the trunk of a huge oak curtaining a prospect of hills and blue 
sky at the left is seated in profile a young woman dressed in white court 
costume, with a large hat, and turned towards the observer. She carries a 
rough staff, but pays indifferent attention to the lambs grouped beside her. 


Height, 2034 inches; width, 15% inches. 





SIR THOMAS LAWRENCE, R.A. 
BRITISH: 1769—1830 


97—LADY WALLSCOURT 


Bust portrait facing the observer of a young woman with curly dark hair, 
brown eyes and a small red mouth emphasized by scarlet earrings; in a 
gauzy white décolleté clasped with a brown ribbon at the waist. Variable 
greenish brown background. 

Height, 24 inches; width, 1934 inches. 


From Seidelmeier Galleries, Paris. 





SIR JOSHUA REYNOLDS, Pike 
BRITISH: 1723—1792 


98—LADY MONTAGUE 


Heap and shoulders portrait facing the observer with head inclined to the 
right, of a young woman with hair dressed high and a greenish brown dress 
with ermine wrap; background of foliage broken by a patch of blue sky 
behind the neck. ‘The eyes are blue, the nose straight, the mouth full and 
petulant, the complexion faultless; the expression is of a somewhat mun- 
dane weariness. 


Height, 24 inches; width, 19% inches. 


lo 


oO ¢ 


4 rd GEORGE H. HARLOW 


I 


BriTIsH: 1787—1819 


99—PORTRAIT OF A LADY IN A RED CLOAK 


Unoper the russet branches of a tree the half-length figure, facing the ob- 
server, of a young woman with auburn hair, clad in an olive-green dress 
with a dark crimson cloak and large black hat, pulling on a glove with her 
left hand. “The face is comely, with blue eyes and straight nose, the head 
set on a generous décolleté with a crimson ribbon tied about the neck. 


Height, 30 inches; width, 25 inches. 


Harper Collection, American Art Association, 1911. 
From the Blakeslee Galleries. 


fe LINTORETTO (JACOPO ROBUSTI) 
(Ascribed to) 


100—PORTRAIT OF d SENATOR 


Heap and shoulders in half profile to the left of a bearded man in the 
fifties, with scarlet biretta, clad in a crimson robe with white collar; black- 
brown background. 

Height, 26% inches; width, 20% inches. 


HENDRIK BLOEMAERT 


40° DutcH: 1601—1672 


toI—PORTRAIT OF A LADY WITH A LACE COLLAR 


Heap and shoulders within an oval, of a young girl with brown eyes and 
ruddy complexion and ringlets falling from under a black cap, robed in 
black with a voluminous lace corsage and muslin and lace scarf painted in 
meticulous detail; greenish-brown background. 


Panel: Height, 29% inches; width, 23% inches. 


Signed at left, HenNr. BLoEMAERT, Ao. 1644. 





SIR JOSHUA REYNOLDS? PRY 
BRITISH: 1723—1792 


102—MRS. HENNESSY 


AGAINST a background of shrubbery the half-length figure of a young 
woman in half profile to the right, dressed in black with a white yoke and 
a flower at the bosom, and holding a brown feathered hat; the hair falling 
in long curls away from the full face with its blue eyes, retroussé nose and 


thin curved lips. 
Height, 2934 inches; width, 24% inches. 





THOMAS GAINSBOROUGH, R.A. 
BRITISH: 1727—1788 


103—MRS. PEACOCKE 


A STRIKING bust portrait of a young woman clad in a peacock-blue décol- 
leté (a fancy of the sitter?) with a white lace corsage hung with strings 
of pearls; pearls about the neck, in the ears, and twined in the dark brown 
hair dressed away from the fine forehead. ‘The face is in repose; the brown 
eyes tranquil, the broad features stately and compassionate. 


Height, 30 inches; width, 25 inches. 


Mrs. Peacocke was the daughter of Col. William Jones of Twyny, Carnarvon- 
shire; she was married first to Mr. Hughes of Anglesey and afterwards to Col. 
William Peacocke, fourth son of George Peacocke, Esq. of Co. Limerick, Ireland. 


land. 
From M. Lebrun, Paris. 





JEAN MARC NATTIER 
FRENCH: 1685—1766 


104—M ME. VICTOIRE, DAUGHTER OF 
LOUIS AV, AS 


Vicorous three-quarter length portrait, facing the observer, of a young lady 
with powdered hair dressed with wild flowers and a crescent, golden-yel- 
low gown with white muslin sleeves and draped about with a leopard skin; 
in her right hand a bow and in her left an arrow feathered with blue, the 
left elbow resting on a table strewn with pink asters. “The face conceived 
warmly with dark brown eyes, bright complexion and pretty red lips. 


Height, 40 inches; width, 32 inches. 


From the Seidelmeier Galleries, Paris. 





2 GEORGE HENRY HARLOW 
\° BRITISH: 1787—1819 


105—_MANDOLIN-PLAYER 


BEFORE a stone wall is seated in profile to the right, her head turned up- 
wards and towards the observer, a young woman in a dark crimson gown, 
with long brown hair dressed with pearls and falling over her shoulders, 
playing on a mandolin and singing to herself. “The face is beautiful, with 
bright blue eyes, straight nose and soft full contours. 


Height, 36 inches; width, 27% inches. 


From the Seidelmeier Galleries, Paris. 


99° 


ANTONIO ALLORI (BRONZINO) 
FLORENTINE: 1535—1607 


106—GRAND DUCHESS OF TUSCANY 


HALF-LENGTH figure facing the observer and inclined slightly to the right, 
of a young woman with fair curled hair, clad in a stiff cloak of black with 
an imbricated pattern, slashed and puffed above a white undergarment; the 
high Medici collar sewn with precious stones, and a circle of pearls about 


the neck. “The right hand holds a white kerchief. 
Height, 30% inches; width, 23% inches. 


PIERRE MIGNARD 
FRENCH: I1010—1695 


107—-MARQUISE DE LA VALLIERE 


BEFORE a crimson curtain the half-length figure facing the observer of a 
young woman with long dark brown curls clasped with ropes of pearls, and 
pearl earrings; clad in a dark blue gown brocaded with gold and silver 
leaves, with a white muslin underbodice trimmed with lace, the hands finger- 
ing a string of pearls. “The eyes are blue, the nose straight, the complexion 
fair; the lips small, red and querulous. 


Height, 30% inches; width, 24% inches. 


SIR WILLIAM BEECHEY, R.A. 
BRITISH: 1753—1839 


108—MISS READE 


BEFORE a stone balustrade hung with a crimson drapery and looking out 
over a landscape with blue hills, the full-length figure of a young woman clad 
in white muslin, posed before a music-stand to face the observer, and play- 
ing on a magnificent Empire harp, the stool, from~ which she has arisen, 
behind her. The face with its brown curls dressed high is inclined to the 
right, the gray eyes are thoughtful, the expression at once timid and co- 
quettish. 

Height, 83 inches; width, 5234 inches. 


Miss Reade was the sister of Sir Jonathan Charteris-Reade, of Shipton Court, 
Oxon, the picture being painted for the family, from whom it was purchased. 


From the Collection of Sir John Charteris-Reade, sixth baronet, of Shipton 
Court, Oxon. 
| (Illustrated ) 





No. 108—Muss READE 
(By Sir William Beechey) 


‘es 


FRENCHsSCHOOL 
Earty XVIII Century 


109—PORTRAIT OF A LADY 


HALF-LENGTH figure facing the observer of a young girl with long fair 
hair, clad in a busk-like robe over an underbodice of lace-edged white mus- 
lin, loosely draped about with a crimson scarf clasped with a pearl brooch. 


Oval: Height, 3134 inches; width, 25% inches. 


SIR’ PE CER] LEIay 
FLEMISH: 1618—1680 


110—DUCHESS OF DORSET 


HALF-LENGTH portrait facing half-right, the head turned towards the 
observer, of a young lady in a golden-yellow satin dress cut low over the 
bosom, with pearls about the neck, in the ears and in the brown ringlets. 
Dark brown background with foliage at the right.. 


Height, 30 inches; width, 25 inches. 


SIR’ PR UCER® Li 
FLEMISH: 1618—1680 


111I—DUCHESS OF PORTSMOUTH 


SEATED on a lavishly carved and gilded throne before a broad crimson 
drapery, the three-quarter length figure of a woman clad in black velvet and 
ermine with white sleeves, facing the observer and inclined to the right. “The 
oval face is fringed by short curly hair of dark brown, the eyes are hazel, the 
nose retroussé and the lips mocking; about the neck is a single collar of 
pearls. . 

Height, 49 inches; width, 36 inches. 


LIST OF ARTISTS REPRESENTED AND 


THEIR WORKS 


ALLORI, Antonio (BRONZINO) 
Grand Duchess of ‘Tuscany 


AUBERT, Jean ERNeEstT 
Love Quenching His Thirst 


BARON, Bernarp 
Wine and Mirth 


BEARD, James Henry, N.A. 


“Tho’ Lost to Sight, To Memory Dear” 


BEECHEY, Sir Wi tiiam, R.A: 
Miss Reade 


BECKER, Cart Lupwic FRieprRicu 
Petitioning the Doge 


BECKER, Q. 
A Mineralogist 


BERENGER, Emre 
Consoling Mother 


BLOEMAERT, HeEnnpriIk 
Portrait of a Lady with a Lace Collar 


BONHEUR, Rosa 
Ponies and Sheep 


BONHEUR, J. Pryror 
Mastiff and Her Litter 


BOUGHTON, Gerorct H., N.A., R.A. 


Penance 


BOUGUEREAU, Wituiam AbDoLPHE 
Boy with Flageolet 


CATALOGUE 
NUMBER 


100 


67 


19 


72 


108 


83 


sie: 


23 
IOI 
51 
47 


22 


58 


BRISTOL, JoHN Bunyan, N.A. 


Sunset 


BROWN, JoHn Georce, N.A. 


Borrowed Robes 


CABANEL, ALEXANDRE 
Mary at the Tomb 


CASANOVA, ANTONIO 
Two Jolly Friars 


CHARLEMONT, Epuarp 
Boy in White Satin with a Dog 


CHARNAY, A. 
Gathering Flowers 


CHELMINSKI, Jan von 
Rotten Row, Hyde Park 


CHIALIVA, Luic1 
Watering Sheep 


CONSTABLE, Joon 
The Tavy at Tavistock 


COROT, Jean Baptiste CAMILLE 
Morning 


DIAZ DE LA PENA, Narcissz VirGILE 
Faggot Gatherer 
Plains of Barbizon 
Drowsing Nymphs 


DESGOFFE, BtalIsez 
Still Life: Art Objects from the Louvre, Paris 


DUPRE, Juxes 
Cottage in the Woods 
Driving Cows to Water 
The Storm: D’Arbonne 


ENGEL, JoHann FRIEDRICH 
The Sailor’s Daughter (‘‘Come to Me”), 


CATALOGUE 
NUMBER 


76 


18 


es 


46 


15 


88 


79 


94 


FALERO, Luts 
Moorish Dancer 


FERRARI, Giovanni 
The First Lesson 


FRENCH SCHOOL 
Portrait of a Lady 


FRERE, Prerre Epouarp 
Children Cooking 


FROMENTIN, EuceEne 
Arab Horse Traders 


GERARD, ‘THEODORE 
Returning from the Fields 


GAINSBOROUGH, Tuomas, R.A. 


Mrs. Peacocke 


GEROME, Jran Lion 
Woman of Syria 


GOUBIE, Jean RicHarp 
Asking the Way 


GOUPIL, Juss 
The Toilette 


HAMILTON, Sir Wittiam, R.A. 


Portrait of a Lady as a Shepherdess 


HARLOW, GerorceE HENRY 


Portrait of a Lady in a Red Cloak 


Mandolin- Player 


HART, WILLIAM 
An Opening in the Woods 


HENNER, Jean JacoueEs 
Fabiola 


HERRING, Joon FReEpgERICK, Sr. 


Horses and Pigs: Farmyard Scene 


CATALOGUE 


NUMBER 


IO 


ab 


109 


35 


64 


52 


103 


32 


30 


70 


96 


99 
105 


27 


37 


68 


HERRMANN, Lton CuHartes 


Curé Reading La Fontaine 


HUBBARD, RicHarp W. 
The Lake 


IRVING, J. Beaurain, N.A. 


The Connoisseurs 


JACQUET, Gustave 
Portrait of a Young Woman in Peasant Costume 


Ideal Head 


KAEMMERER, FrepERIcK HENRY 
Reflection 


KNAUS, Lupwic 
Portrait of a Young Girl 


KOEKKOEK, Barenp CorneE tis 


Summer on the River 


KRAUS, FRiepricu 
Old Woman Holding a Teacup 


LANDELLE, Cuartes 
Peasant Girl 


LAWRENCE, Sir THomas, R.A. 
Lady Wallscourt 


LELY, Sir Prerer 
Duchess of Dorset 
Duchess of Portsmouth 


LOOP, Henry A. 
Aphrodite 


MARCKE, Emit van 
Heifer 
Going to Pasture 


MAX, GABRIEL CORNELIUS 
Head of a Young Girl 


CATALOGUE 
NUMBER 


13 


25 


12 


te 


69 


31 


97 


MERLE, Hucurs 
Ferdinand and Miranda 


MEYER VON BREMEN, Jouann GeorcG 
Thinking 
Learning to Walk 


Convalescent 


MIGLIARA, Giovanni 
Venice, The Molo 


MIGNARD, Pierre 
Marquise De La Valliere 


MUNGER, GILBERT 


A Bend in the Stream, near Louviers 


MURRAY, CuHaries Fairrax 
Portrait: Mother and Child 


NATTIER, Jean Marc 
Mme. Victoire, Daughter of Louis XV, as Diana 


OCHTMAN, Leonarp, N.A. 
Landscape in Spring 


PALMAROLI, Vicente 
Girl Fishing 


PERRAULT, LEon BazILe 


L’Amour Vainqueur 


PERRY, E. Woop 
Watching the Wheel 


PIOT, Apo_pHE ETIENNE 
The Love Letter 
Roman Girl 


PLASSAN, Antoine EmIte 


Home Pleasures 


PREYER, JonHann WILHELM 
Still Life 


CATALOGUE 
NUMBER 


89 


14 
7 
48 


QI 


107 


38 


56 


104 


34 


87 


mht 


74 
SI 


al 


CATALOGUE 
NUMBER 
PLATHNER, HERMANN 
The Newspaper 55 


REYNOLDS, Sir Josuva, P.R.A. 
Mrs. Hennessy 102 


Lady Montague 98 


RICHARDS, Tuomas Appison 
Cottage on the Leam, England 7 


RICHARDS, Wiiu1am Trost 
Wooded Landscape with Stream 49 


RICO, Martin 


River Scene 168 
RIX, JuLian 
Sanderson’s’ Creek 66 


RONNER, Henaiettra Knipe 
Cat and Kittens 65 


ROUSSEAU, THEopore 
Sunset 40 


SALENTIN, Hersert 
Evening Devotion 75 


SCHREYER, Apo.r 
Horses at Fountain 84 
Halt in the Desert 86 


STAMMEL, Esrruarp 
After the Hunt 7 62 


TAIT, Artuur FirzwitiiaMm, N.A. 
Deer at Gaze 36 


TINTORETTO (Jacopo Rosusti) (Ascribed to) 
Portrait of a Senator . 100 


TOULMOUCHE, AvucustE | 
Waiting a; 
Watering Flowers &3 


CATALOGUE 


| NUMBER 
TURNER, JosepH Mattorp Witiiam§ § (Attributed to) 

Seaport go 
UNKNOWN, XIX Century 

Circassian Girl I 
VAN DE VELDE, WiLLEem 

Cattle 92 
VAN DER NEER, Agrtr 

River Scene 95 
VERBOECKHOVEN, EvucENE 

Sheep and Lambs 42 
VIBERT, JEAN GezorGES 

Cardinal Burning Documents 54 
WAHLBERG, Atrrep 

Night on the River 73 
WATELIN, Louis Vicror 

Cattle | 50 
WEBER, Orto 

The Romagna: Driving Cattle 61 
WILLEMS, Fiorent 

At the Window 20 
WILMS, Peter JosEPH 

Still Life: Fruit 6 
WOUWERMAN, Puities 

Horses 93 


ZAMACOIS, Epovarp 
The Rivals 7 : 29 


COMPOSITION, PRESSWORK 
AND BINDING BY 


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